What it’s about:

Maya Kenig’s new film, “The Milky Way”, offers an engaging and innovative experience combining black comedy with a deep emotional narrative. Set in Tel Aviv, the film follows a rock ‘n’ roll singer-turned-new single mother, Tala, portrayed by Hila Ruach, as she navigates through economic struggles and societal expectations in a futuristic scenario.

Why it matters:

“The Milky Way” brings to the forefront pivotal social issues related to economic disparity in modern society, a theme that resonates globally but holds special significance within the context of Israel’s socio-economic dynamics. The film skillfully highlights the challenges and resilience of single-parenthood while intelligently touching upon disparities among different societal groups.

The big picture:

Kenig’s narrative uses the apt metaphor of a “breast-milk factory” to shed light on socio-economic gaps and the compromises individuals have to endure, thus providing a vivid commentary on both global and Israeli perspectives. Her imaginative storytelling doesn’t stop at personal hardship but bridges a bond of empathy and nuanced understanding between diverse socio-economic backgrounds.

Between the lines:

The character portrayals aim to eschew stereotypes by adding human depth and dimension, shining a light on complex social realities without succumbing to cliches, thereby enriching Israel’s cultural cinema landscape. The depictions allow diverse experiences, such as those of Mizrahi and Arab mothers beside Tart’s own story, thereby facilitating both introspection and empathy from the viewers.

What’s next:

Supported by strong performances from Hila Ruach and Hadas Yaron, and penned with wit and keen social observations, “The Milky Way” sets the stage for more insightful narratives emerging from Israel that aim to transition from average toward progressive and understanding storytelling.

This story was first published on jpost.com.